Currently viewing the tag: "theatre"
After taking things a bit too seriously in screen acting, or even since the day i started learning how to view films critically. I can never watch something ever the same again and same goes for even theatre. Half the time now I’m trying to see whether what I’m watching is believeable. So tragic, I know! I can’t enjoy stuff like i use to these days.  But that won’t stop me from watching them :) A couple of months back i saw the movie Mama Mia with Meryl Streep starring in it. I saw that with Min Li and what are the odds that I saw the musical with her too. Bwahaha.

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We had absolutely terrible seats I have to admit at Istana Budaya. My dad had gotten the tickets at a slightly cheaper price due to either some maxis or citibank thing. It was a whole family outing :) with us stuck right at the top row.. close to the top row anyway in the upper circle. Upper circle!!! Do you know how far that is from the stage?!!? I kinda wished i had bought binoculars. Plus it was really uncomfortable. The seats were to straight and seriously too high up…  

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    … Ok i’ve just done an entire paragraph of knocking the seats. My bad :P  The movie followed the musical quite closely, minus of course the fact that in a movie you can do a lot more in showing the audiences certain effects and what not. Sigh due to us watching the movie first and not the musical, all I could think about was the movie. The little bits of surprises or expectationt were gone and I kept comapring it with the movie. Bad me. Which i shouldn’t cause they are two completely different productions.  

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    The musical was still very much enjoyable. I had fun and some great laughs too. At least I didn’t have to hear a ”Mr Pierce Bond” sing! Aaiii :P The singing was wonderful and so were dances. I felt though that it would’ve been even more ufn to see the ensemble dancing along and performing with the rest of the main cast. Like the the number “Dancing Queen”. That would’ve been great, to see everyone dancing to that.   I think my favourite number was the song “Gimme Gimme Gimme (a Man After Midnight)”. It got me really pumped. That was loads of fun and everytime when one ‘father’ dragged Sophie out to talk with her, the entire ensemble would be in dim light walking/moving in slow motion. So that there would be contrast and focus on the main characters talking. At the end of it all, i think the crowd went mad. Cause they all started standing up and dancing in their seats. haha. I know cameras weren’t allowed in there but I just had to take a snap of the people boogieng it down. hehe.  

 

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Sorry that was the clearest I could go even with some photoshopping. But yeah those people ARE standing, dancing, and going what looks to be a wave of some sort.   If anyone reads this before seeing the movie. I thoroughly encourage you to go see Mama Mia! the musical. It’s a once in a lifetime hit sensation and while it’s still burning hot. Go catch it now at Istana Budaya which has noe been extended to the 4th of January 2009. And make sure you watch the musical FIRST!

The latest review from the papers :)

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Footstool Players’ Crazy Little Thing Called Love: The sketch called ‘I Love You More’, features Sean Low and Adrene Wong as a couple being kiasu about expressing their love for each other.  Love in all its wondrous forms is explored thoroughly in this collection of sketches that offer laughter as well as tears.  WHO doesn’t love a good love story? Whether they portray sweeping passions and staying true despite all odds, or bittersweet partings and tragically broken hearts, love stories never fail to stir the spirit and touch the heart. Thirteen sketches about love did just that during the opening performance of Crazy Little Thing Called Love last week at the Kuala Lumpur Performing Arts Centre. Produced by local theatre group, the Footstool Players, in partnership with the not-for-profit company, Focus on the Family Malaysia, Crazy Little Thing wants to get one message across: that love comes in various forms, and has a much bigger impact on our lives than most could imagine. And it manages to do that very well, indeed. The production is divided into two 55-minute acts with the first focusing on romantic relationships and the second on issues pertaining to family life, particularly parent-child relationships. The cast members – comprising Adrene Wong, Ann Choo, Colin Kirton, Ee Soon Wei, Jonathan Tan, Linora Low, and Sean Low – do a remarkable job of bringing life and depth to the characters they play. This is particularly commendable because most of the cast members don’t have any professional acting experience. (The exceptions are Kirton, whose performance in 2006’s Broken Bridges, The Musical received a Best Solo Performance, Voice, Boh Cameronian Awards nomination; and Linora Low, who appeared in the musical Ismail, The Last Days in August this year.) I have to say, Crazy Little Thing delights from beginning to end; each of its sketches is powerful and gets straight to the point with no wasted words or motions. The sets are simple, with only the most basic of props, so the plays rely – successfully – on the strength of the actors’ performances and the music to carry the production’s themes. Lost in Transmission, written by Kirton and adapted from an essay by American humour columnist Dave Barry, was both relevant and hilarious, while A Late Lunch (written by Lawrence and Annie Enscoe) captivated thanks to its masterful script and passionate performances from Linora Low and Kirton. Ee Soon Wei excelled in his monologue during I Am My Father’s Son (written by Kirton and Jonah Sng), whileThe Ledger People (written by Paul and Nicole Johnson) was an especially inspired way of examining issues such as the importance of give-and-take in a relationship. Kirton deserves special commendation, as he is effective in comedic and dramatic scenes alike. His dedication to his roles makes him a delight to watch whether he’s playing a frustrated parent impatient with his estranged daughter (A Late Lunch) or a little boy devoted to his adopted father (Charlie and Ruth Jones’ Billy) – his performance in the latter, especially, really needs to be seen to be believed. Crazy Little Thing is a triumph of moments that are, in turns, heart-warming and heart-wrenching. It handles its subject matter exceptionally well, exploring the ups and downs of love in everyday situations that will be familiar to everyone. Indeed, that is another of the play’s strengths: anyone who’s ever felt the giddy rush of falling in love or experienced the firm, tangled ties of family relationships will find it easy to empathise with at least one of the many characters in the 13 sketches.
  Crazy Little Thing Called Love is on until Sunday at Pentas 2, at the Kuala Lumpur Performing Arts Centre (Jalan Strachan, off Jalan Ipoh, Sentul Park). Performances are at 8.30pm daily; there is an additional 3pm matinee tomorrow and only a matinee (no evening show) on Sunday. Tickets at RM30 (RM20 for students, senior citizens, and the disabled) are available at the box office (03-4047 9003). For more information call 03-4047 9000 or go to footstoolplayers.com/current.htm.  

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**Headliner**

See “Crazy Little Thing Called Love” at Pentas 2, KL Performing Arts Centre. Tickets are RM30 for adults and RM20 for students, senior citizens and the disabled.

Call the box office at (03) 4047 9000 or The Actors Studio at (03) 2094 9400. Visit www.footstoolplayers.com for moreinformation.

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I haven’t had much time to blog for a while especially since Thursday. That was the day, “Crazy Little Thing Called Love” started its performance at KLPAC. Phew the first run of KLPAC is now over… 2 single shows on thursday and Friday, along with two shows back to back on weekeds. My gosh doing the performance twice is hard… Man it has been a crazy one. I just wanted to update on what our schedules and audience status has been like. 

So far pretty good! Very very encouraging to see that a number of people have heard about the show – even if we have performed to about 5000 people now from churches.. yeah I know 5000 people. Even I can’t believe it! Praise God for the numbers and so far the shows running at KLPAC have been getting the numbers too.   Jon, Adrene and Colin had the honour of being slotted in on the NTV7 Breakfast Show last week. JP was the host and while we “appreciate” the butchering of the names, we still forgive him. :P  You can watch and listen to three of the cast members speak their mind on what Crazy Little Thing Called Love is about. When to catch it and what to expect. Jon also manage to upload it to YouTube, so check it out! Print media has been going well too. So far we’ve been – in chronological order – TheStar Metro, New Strait Times and TheEdge. The papers just love the cutsy picture of Adrene and Sean in their piece called “I Love You More”. Hehehe… and now as I look at it, probably only that picture really shows some sense of loving between two people. 

NST – Life & Times 

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The Edge Daily – Options – Love Vignettes

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This week is our second and last run for the production.

Makes me kinda sad actually cause I’ve grown to know, work, play and smile with this family so much. It’s been a real blessing being able to work with them. I don’t think I could ask for anything more than to share my time and my trust with them. I think I’ve put up this pic before in a previous post. But I can’t help putting up again at this tender moment. 

 

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Courtesy goes out to Bernard Goh from Creative Clicks who took the fabulous photos of the cast and crew! :)

 

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Love you guys!

Yesterday was the first run of the show “Crazy Little Thing Called Love” by the Footstool Players. Held at Segi College and hosted by Agape Church, I think the show went fairly well! All thanks to The Father in Heaven. To give a bit of a background on ”Crazy Little Thing Called Love”, it is show with 13 sketches all acted out by 7 actors. Each of the sketches is a story within themselves, with no relation to one another. The stories deal issues that are unresolved that revolve around the topic of relationships and love. Hence the title “Crazy Little Thing Called Love”. Be it relationships with your family members, broken homes, and even between couples who are just starting out.  I never thought of it this way, but while Jon was praying for the team last Thursday, he said this..”Lord, thank you for making us nervous. For it is when we are nervous that we look to you.” I had never seen in that light before. It’s always usually so natural for a request to God saying something like, please don’t make me nervous, take away me feelings of anxiousness. But i had never thought to thank the Lord for making me nervous.. and for that I want to thank Jon for that moment of realisation. It’s true actually… when we are in dire need, that we will shift our eyes above and seek Him with all our might.  As always, when we focus and cast our eyes on God, things will go in place.  After many months of rehearsals, and days of getting lines crammed into the head. It all worked out for the better. The thing with theatre, is that you can never do the same performance you did the night before. Which is alright because it is always a new experience and yet another opening night (as how my music conductor would say from Ismail). With that, the characters one develops for a play, takes you on a journey. Along the way you learn a number of things.. not just about the play of course, but also about yourself.  In this case, about the relationships you have with the people around you. With those who are close to you. Even though I may play 3 different characters, but I learnt something from each of them.. I’m rambling, back on to the story of the first day… Nerves were all over the place and even more so because we have never performed in the college auditiorium before, which accommodated about 300 people, more than the usual number of people we rehearse for at SJGC. Hence we had to project a lot more, which was a bit worrying at first because we all had to make a conscious effort to raise our voices much more than the usual levels we were accustomed to. But no matter.. adapt and work with it.  Here we are getting ready by bringing all the props up to the auditiorium. Usually for those who know how Footstool Players work, is that they produce plays that are minimalist, using very few props and not much chnage of clothing. This time was a bit more different and we had a lot more stuff to carry.   

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I wanted to take shot sof the Segi college, which by the way is huge! 

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I don’t think I’ve ever had a crowd so close to the stage..

The crowd was very responsive which was great for the comedic plays haha. As actors we really feed of the crowd when they start to warm up to us, which was a good thing and pushed us on to do better than expected. There a few minor hiccups like the a handphone causing some interference to the speakers, a baby crying somewhere in the middle and a number of laughs which we never thought we would get in certain serious moments for some of the plays. Even still it all went well. Lines went well, tech went well and sound went well.. couldn’t ask for anything more :) After the show we took a picture with the teens of Agape church, who were busy ushering in people to their seats and also helping us take down our props and lighting.  Thanks Agape!  

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